About
I am interested in exploring the relationship between fantasy and the real and the locations in which these two worlds collide. I am drawn to effigies of the living, uncanny, half-alive objects such as puppets, automata, figures that were made with a specific purpose in mind such as to embody religious beliefs. Being in the presence of something borderline raises questions as to the nature and perception of reality and the nearness of death or absence of reality and possible insanity. Another strand in the work is an attentive watchfulness for meaning, a hermit-like craving for signs. I have long been fascinated by the texts of riddles or questions that have no answers. In recent work the locations in which the organic and the mechanical find an uneasy relationship has been satellite dishes and telecommunications masts. They seem alert to the giving and receiving of information in the air, looking for meaning that has gone astray.
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Susan Adams uses a variety of media including painting, printmaking, polychromed wood-carving and video. She has lectured widely and held a number of prestigious Artist in Residency positions including those at Gloucester Cathedral, Millay Colony for the Arts New York, Welsh National Opera, Bardsey Island and Shaftesbury Abbey.
Susan Adams studied painting at Norwich School of Art and the Slade School of Art, going on to study Electronic Arts at Middlesex University. Her work straddles the real and the fantastical, approached with a sense of disquiet and humour.
EDUCATION
2004-2007
Cardiff University
PGCE Post Compulsory Education
1998-2000
Middlesex University
MA Electronic Arts
1990-92
Slade School of Art
Postgraduate Diploma Fine Art, Painting
1986-89
Norwich School of Art
BA Hons Degree Fine Art , Painting, 1st class
1985-86
Maidstone College of Art
Foundation Course in Art & Design
CAREER
2011 onwards – Cardiff Metropolitan University
Associate Tutor, Fine Art
Edinburgh Printmakers
Artist in Residence
Sky Arts
Art Workshop Leader, Hay Festival
2008 – 2009 – Hereford College of Arts
Part-time Lecturer, Fine Art Degree
2007 – Good Ideas Residency
Grant from Cywaith Cymru to finance art project with voice-hearers in Wales
2006 – Benenden School
Artist in Residence
2004 – Creative Wales Award
£10,000 Research Grant
2003 – Shaftesbury Abbey
Artist in Residence
2002-03 – Welsh National Opera
Commission/Residency
working to create images for projection to accompany orchestral performances for schools
2002 – Bardsey Island – Ynys Enlli
Artist in Residence
Aberystwyth Arts Centre
Children’s Art Workshop Leader during
Something Funny in the Woodshed exhibition curated by Susan Adams
Plas Newydd, Llangollen
Artist in Residence
Carmarthenshire College
Part-time Lecturer, Art & Design Access Course
Oriel Mostyn
Artist in Residence
2001-02 – University of Glamorgan
Part-time Lecturer, Art Practice and Media Degree
2001 – Millay Colony for the Arts, New York USA
Artist in Residence
Swansea Institute of Higher Education
Visiting Lecturer, Fine Art, Painting Degree
2000 – Glynn Vivian Art Gallery, Swansea
Children’s Art Workshop Leader during Ana Maria Pacheco exhibition
International Centre for Cultural Development, Kerala, India
Artist in Residence
1999-00 – Swansea Institute of Higher Education
Part-time Lecturer,
Foundation Course in Art & Design
1998-99 – University of Glamorgan
Part-time Lecturer, BA Hons Art Practice
1998 – Arts Council of Wales Artist’s Bursary
£2000 Research Grant
1996-97 – Gloucester Cathedral
Artist in Residence
1996 – Arts Council of Wales Travel Award
to study the religious art of Mexico
1995-96 – University of Wales College Newport
Part-time Lecturer, Graphic Arts Degree
1995 – University of the West of England, Bristol University of Glamorgan, Wales
Visiting Lecturer, slide talks, tutorials and materials demonstrations given
1994-95 – Anderson Ranch Arts Center, Colorado, USA
Artist in Residence
1994 – ArtsAcre, Calcutta, India
Artist in Residence
1992-93 – Cheltenham & Gloucester College of Higher Education
Fine Art Fellow, part-time Lecturer Fine Art Painting
1991 – Canadian Airlines & Royal Overseas League
Travel Awards, Canada
EXHIBITIONS
2011 – Import / Export
Edinburgh Printmakers & Swansea Printworkshop
Mostyn Open
Oriel Mostyn
There are Receivers in the Woods
solo exhibition, MoMA Wales
Artemis
group show, St Davids Hall, Cardiff
2010 – St David’s Hall Printmaking Biennale
group show
Eisteddfod Visual Arts Exhibition
Female Wales
Millenium Centre, Cardiff
2009 – Hearing Voices International Congress Maastricht
solo exhibition
Eisteddfod Visual Arts Exhibition
Welsh Artist of the Year Show
St Davids Hall Cardiff
They leak through me
solo exhibition, Oriel Myrddin
2008 – Eisteddfod Visual Arts Exhibition
*Sculpture in the Garden *
group show, Hergest Croft, Herefordshire
2007 – Parc Life
group show, house and grounds of Penpont, Powys
2006 – Contemporary Arts Society Wales
Acquisitions National Museum of Wales
2004 – Fragments of St Iwa
solo exhibition, Arts Council of Wales Gallery, Cardiff
2003 – A tale told by an Idiot
3 person print show – MOMA Wales
Waiting for Something
solo touring exhibition, Ruthin Craft Centre; Oriel Mostyn
Fragments of St Iwa
solo exhibition, Shaftesbury Abbey, Dorset
2002 – Cinema Texas International short film festival
screening of Searching in Sleep
Nestlings
solo exhibition, Plas Newydd, Llangollen
Artists-in-Residence at Gloucester Cathedral
group show, Gloucester Cathedral
Reflections of Holiness
St Mary Woolnoth, London EC3
2001 – Wales : Unauthorised Versions
The House of Croatian Artists, Zagreb (curator: Alex Farquharson)
International Print Biennial
Wrexham Art Centre (& tour)
Something Funny in the Woodshed
(curator & exhibitor)
Howard Gardens Gallery, Cardiff
Aberystwyth Arts Centre
Eisteddfod Art Exhibition
2000 – Digital Group Show
Candid Gallery, London
Exploding Cinema
London, screening of ‘And in the Morning’
1999 – Proposals for Saints (part 3)
solo exhibition, Glynn Vivian Art Gallery, Swansea
Housing and Homelessness
Candid Gallery, London (curator: London Arts Cafe)
1998 – Fantastico!
Gallery Fresh, London
Proposals for Saints (part 2)
solo exhibition, The Eich Gallery, Hull
1997 – Breath of Walls
solo exhibition, Gloucester Cathedral
The Print Fair*
The Armory, New York City, USA
Proposals for Saints
solo exhibition, Gloucester City Art Gallery
1996 – Artists’ Books
Glynn Vivian Art Gallery, Swansea
The London Original Print Fair*
Royal Academy of Art, London
The 9th International Women’s Studies Conference
2 person show
1995 – Theatre of Love
solo exhibition, Y Bont Gallery, Univ. of Glamorgan
Artists in Residence Show
Anderson Ranch Arts Center, Co. USA
The Print Fair
The Armory, New York City, USA*
1994 – Woodcuts and Paintings
ArtsAcre, Calcutta, India
The Contemporary Print Show Part 2*
Concourse Gallery, Barbican
SAGA, FIAC Edition*
Paris, France
WhiteChapel/East London Open Studios
Childers Street, London
1993 – The London Original Print Fair*
Royal Academy of Art, London
The Arthur Andersen Art Award Exhibition London
Cheltenham School of Art Fellows Exhibition
Pittville Gallery, Cheltenham
The Contemporary Print Show*
Concourse Gallery, Barbican, London
Radhusgalleriet*
Ystd, Sweden, Group Show
Group Show
Flowers Graphics, London
1992 – 3rd Print Biennale of Amadora Portugal*
Artists’ Choice
Flowers East, London
Recent Graduates
Smiths Gallery, Covent Garden, London
1991 – A View of the New
Royal Overseas League, London
*In affiliation with Pratt Contemporary Art
I am interested in exploring the relationship between fantasy and the real and the locations in which these two worlds collide. I am drawn to effigies of the living, uncanny, half-alive objects such as puppets, automata, figures that were made with a specific purpose in mind such as to embody religious beliefs. Being in the presence of something borderline raises questions as to the nature and perception of reality and the nearness of death or absence of reality and possible insanity.
Another strand in the work is an attentive watchfulness for meaning, a hermit-like craving for signs. I have long been fascinated by the texts of riddles or questions that have no answers.
In recent work the locations in which the organic and the mechanical find an uneasy relationship has been satellite dishes and telecommunications masts. They seem alert to the giving and receiving of information in the air, looking for meaning that has gone astray.
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